A soldier's daughter
“My father is military, not an officer. Here I humorously question how this affected my personality. The text analyses the world of the army, apparently so far from the theatre, its social, family and intimate dimension. I play this show in duo with a musician with a certain pleasure of variation and of improvisation.” Clyde Chabot
Two duets with Eryck Abecassis and Thierry Madiot were created as part of the White Noise festival in 2019. At the Silo in September 2020 and at the Distillery in Aubagne next April, eRikm is the protagonist of a new duo.
Other creations are in preparation, especially with Lamine Diagne for a new stage edition also planned at La Distillerie in April 2021 and with Kenneth Cosimo, multi-instrumentalist, at the Teatermasikinen Riddarhyttan (Sweden) in october 2021.
Text, conception and play : Clyde Chabot
Music : Eryck Abecassis (stage edition #2), Thierry Madiot (stage edition #3), eRikm (stage edition #4), Lamine Diagne (stage edition #5) ou Thierry Robert (stage edition #6) ou Kenneth Cosimo (stage edition #6)
Outside view: Stéphane Olry
Video and lights : Iannis Japiot
Photo : Hervé Bellamy
Even the one closest to you, he has rallied her.
And she has joined the adversary
She let herself be convinced, be contaminated by the environment
And then be cornered.
She has concealed the harmful actions incited against you… She has thus validated them.
She has become, in spite of herself, witness – And thus accomplice – to the low blows deliberately struck against you in front of her.
And She did not say a word, could not say, did not know how to say, did not know how to tell you.
So she has chosen her side. She has joined the adversaries
To form with them, this time, a veritable army, a legion, a coalition.
Vanishing endlessly into the desert.
And from now on you are alone, naked, unarmed facing the enemy, feet on the ground, submitting.. There is no way out.
So you must ELIMINATE HIM, this enemy. Reduce him to dust.
But which enemy?
“At her side, a musician, multi-instrumentalist, who changes according to the context of representation. Clyde Chabot loves working by successive variations, without freezing her artwork in a final form. She works by stage editions but the basic device remains the same each time; in the case of “A soldier’s daughter”,
she plays her monologue facing the public, the music and the text mixing and the stage partner in charge of the sound and musical accompaniment change and the tone instituted is renewed according to the music elaborated by the duo, sometimes entirely written upstream in a close exchange with the author, sometimes drawn in its outline, its changes of hues, leaving a breach to improvisation.
(…) And even if the text remains the same, each time, dramatic poem digging the trail of a family heritage underpinned by war, orders, hierarchy, subordination, the representation is renewed each time from within by the complementarity presence of a different musician, giving the text a thousand varied reflections. “
Marie Plantin, Remue.net
Action financée par la Région Île-de-France, avec le soutien de la SPEDIDAM*
LA SPEDIDAM est une société de perception et de distribution qui gère les droits des artistes interprètes en matière d’enregistrement, de diffusion et de réutilisation des prestations enregistrées.